The Daily Escape:
Salt Marsh, East Galveston Bay, Texas – 2019 photo by patrickbyrd
We can’t let the week end without talking about the Trump/Ukraine phone calls. Wrongo’s hot take is that it seems that Trump may have stepped on a rake, and he’s hoping that the bruise on his face won’t leave a permanent mark.
It is also possible that instead, it’s the Democrats who found a new rake to step on. Democrats are lazy. They want Trump out of the White House, but they don’t want to do the hard work of beating him in 2020.
And just when it was clear that the Mueller investigation couldn’t deliver for them, we have the Ukraine “favor to ask” story to move the impeachment ball toward the goal. Is it possible that Trump has baited the Dems into this? He’s been amazingly forthcoming.
Despite all the smoke, the investigation must answer three questions:
- Did the President do something that rises to the “high crimes and misdemeanors” standard?
- Was there also a cover up?
- Who managed the cover up?
It remains to be seen what the answers are. Let’s hope the truth comes out. That is extremely important, regardless of the final outcome for Trump, or the Democrats.
This week was also the 50th anniversary of the Beatles “Abbey Road”. Were you around to hear it in 1969? Wrongo sure was. He remembers hearing their “Meet The Beatles” in 1964. The debates about which is their best album endures, but Wrongo lists “Abbey Road” and “Rubber Soul” as his faves.
Opinions may differ, but “Rubber Soul” (1965), “Revolver” (1966), and “Sergeant Pepper” (1967) was one heck of a three-album streak. Later, like all streaks, the Beatles lost their mojo, and broke up in 1970.
To many, the Beatles albums are music for Boomers. And some think the generation got stuck there. They believe any music that played after they turned 30 isn’t worth listening to. This says a lot about them. Just look closely at our current politics and politicians if you require an example.
But it’s a combined problem: Around 1980, rock radio stations stopped playing new music and put Boomer classics into a heavy rotation. Even Springsteen didn’t get much airtime until “Born in the USA” in 1984. If you weren’t listening to alternative radio you thought that nothing had changed.
Truthfully, many in each generation appear to be convinced that the world’s best music was recorded sometime between their 13th and 25th birthdays. Most people kind of turn into their parents along the way, criticizing whatever flavor of new music comes along. Meanwhile, after watching PBS’s Ken Burns’ “Country Music”, Wrongo is more convinced than ever that American pop music is a mostly unbroken chain of evolving and branching genres.
Fall has begun in earnest on the fields of Wrong. Tomatoes are done, the only thing still growing in our little garden is parsley. Today, around 7:00 am, we had a large, healthy coyote trot through the back 40. We’ve been hearing them howling nearby at night for years, but see them infrequently.
Sadly, we have to start our fall cleanup in earnest this weekend. But before we do, it’s time to begin our Saturday soothing ritual. Start by going online and buying a few pounds of Panama Elida Estate Catuai Natural ASD coffee ($32/16 oz.) from Branford, CT’s own Willoughby’s Coffee & Tea. The roaster says it has flavors of guava, red grape, pineapple, lychee, mango, ripe berries and red wine.
Since there can be no way to stop thinking about what’s going on in DC this weekend, let’s gear up for it by listening to something that isn’t on your Spotify or Pandora play lists, or on any of the middle-of-the-road stations you listen to, its Gary Clark Jr.’s song “This Land”.
From the LA Times:
“Protest and social justice haven’t previously been the central focus of Clark’s songs, with a few notable exceptions on his first two studio releases for Warner Records. He’s been celebrated mainly as a next-generation master of molten blues guitar and a new hope for old ways in the digital era, but his latest album, “This Land,” begins with a title song of genuine anger and deep, raging funk.”
The song is about being angrily profiled in his own home in rural California by a white neighbor, in front of his son and daughter. The neighbor asked Clark to take him to meet the real owner, or he’d call the police.
The song is about what was said to him, how he was treated, and how he felt after being treated that way. Clark didn’t join a hate group. He didn’t say death to all white people. He wrote a protest song about his experience:
The video is a must watch, and the music is a blend of blues rock, reggae, and hip-hop all in one. Those who read the Wrongologist in email can view the video here.
