Monday was the 50th anniversary of the release of two of the most important albums in classic rock’s canon, and it shouldn’t slip by unnoticed: Bob Dylan’s “Blonde on Blonde” and the Beach Boys’ “Pet Sounds.” Today, both are considered among the first (and finest) concept rock albums.
Its difficult to believe they came out on the same day.
Let’s start with “Pet Sounds”: It wasn’t an immediate sensation in the US, making it to #10 on Billboard’s list, significantly below what was then expected of a Beach Boys album. Capitol Records even rushed out a Greatest Hits package to keep the BBs in the forefront of the public’s mind.
Over time, however, Pet Sounds has come to occupy a place in the upper echelons of Rock’s best-of lists.
The album opens with “Wouldn’t It Be Nice” and contains “God Only Knows”, “Sloop John B” and “Caroline, No”, all great Beach Boys tunes.
For the album’s closer, 23-year-old Brian Wilson was thinking of his teenage crush on a cheerleader named Carol Mountain. In 1966, Wilson had discovered that Mountain was married and still living in their home town of Hawthorne, CA not far from his home in Hollywood. Though both were married, Wilson began to call Carol Mountain, who had no inkling of his true feelings until decades later.
Though they didn’t meet in person, Wilson grew depressed that the torch he carried for Mountain had begun to dim. He told that to Tony Asher, who penned a chorus in the form of a dialogue between the two: “Oh, Carol, I know.” Wilson misheard this as “Caroline, No,” giving the song its title.
Here is “Caroline, No”:
For those who read the Wrongologist in email you can view the video here.
Next, Bob Dylan’s “Blonde On Blonde” also released on May 16, 1966. Recorded in Nashville, it was the first double LP in rock music, and it is the final piece of a trilogy of albums released in a creative burst over 15 months in 1965 and 1966, beginning with “Bringing It All Back Home”, then followed by “Highway 61 Revisited”.
Blonde on Blonde spawned two singles that were top-20 hits in the US: “Rainy Day Women #12 & 35” and “I Want You“. Two additional songs, “Just Like a Woman” and “Visions of Johanna“, have been named as among Dylan’s greatest compositions and are included in Rolling Stone‘s “500 Greatest Songs of All Time” list.
Side two of four is the strongest, with “I Want You”; “Stuck Inside of Mobile with the Memphis Blues Again”; “Leopard Skin Pill-Box Hat” and “Just like a Woman”. Side Four has one track, an 11 minute “Sad Eyed Lady of The Lowlands”.
“Blonde on Blonde” is part of Wrongo’s ultimate Dylan playlist, along with “Blood on the Tracks”.
The album’s first Nashville session would produce “Visions of Johanna,” which Dylan first debuted in 1965. At seven minutes+, it set the tone for the longer songs that are all over “Blonde on Blonde”.
Here is “Visions of Johanna”:
For those who read the Wrongologist in email, you can view the video here.
When you think of favorite albums, you must ask: Is it the album you play when you want to hear some Beach Boys or Dylan? When was the last time you played it? When formats shifted from LPs to CDs, was it one of the first dozen or so CDs you went out and got? Did you ever replace the LP with the CD?
Are they albums you started your children’s rock appreciation with?
Your mileage may vary.
